Norma in the Snow
Snowflakes,
light, uneven, like god shredding cold clouds up above, they fall, almost like
a dream that evaporates when it touches your skin –
The
asphalt is covered in sludge, ice and mud, people catching hold of one another
as they hurry across, slipping out of their thoughts and into the present
before they hit the curb. The buses are running
late.
The
sky has been white all day, like a blank canvas – no paint, no inspiration, it’s
all been done before and maybe god doesn’t feel like sketching a replica
today. It’s darkening now and the street
lights switch on, automation, magic, call it what you please.
An
old man wearing a navy beanie sticking like a gnome’s hat on his head rolls
onto the bus stop. He is sitting in a
scooter, a grocery bag stuffed in a small black basket on the front. His eyebrows are bushy, sticking out in all
directions – with eyebrows like that, his expression was forever a scowl. “Greg died five years ago, Norma!” he says,
his voice half a decibel away from a shout.
Norma
has also rolled onto the bus stop in a scooter.
She
isn’t wearing a hat and although the snow melts as soon as it touches the
ground, it sticks to her, catching in her hair like glitter, peppering her
cheek like frozen tears. She is wearing
a jacket that is too big for her and it is only half zipped. Maybe the old man is almost-shouting because
she is hard of hearing? Her replies are almost a whisper, the voice of someone who
has just woken up after a deep sleep, slightly dazed, not quite sure where she
is, or what day it is.
“Where
are we going?” Norma’s voice is frail, almost painful to hear.
“I’m
taking you to Sara’s house. That’s where I picked you up from, Norma!”
“But
I want to go back to my house.”
“You
don’t live in that house anymore, Norma. You moved out years ago. You live in
the old home now. You are staying at
Sara’s house for the weekend. That’s where I picked you from and that’s where I’m
taking you now, Norma!”
“Will
Greg be there?”
“Greg
died five years ago, Norma! You live in the old home now. We’re going to Sara’s
house. That’s where I picked you up from.”
“But
all my clothes are at my house...” Norma is shivering.
The
flurries are getting faster, madder, and there is a sharp biting wind that’s
sweeping the tiny snowflakes up, down and across. An artist gone mad. Maybe inspiration has struck.
“You
don’t live at the house. All your clothes are at the nursing home but you have
some at Sara’s. I’m taking you to Sara’s house, Norma!”
People
at the bus stop are getting a little uncomfortable now. A small boy, perhaps 12, unaccustomed to old
age, raises his brow and looks questioningly at his mother who shakes her head
discreetly. He walks on close to the two
scooters but neither Norma nor the old man notice.
Norma
whispers something, her thin sad confused voice getting lost in the wind, while
the old man’s exclamations are still loud, still annoyed, persistent. She seems to be saying the same things again
and again, and he always answers her, in the same irritated loud tones,
punctuating the end of the sentence with a strident incredulous ‘Norma’!
The
tram is here and as the doors open, the old man steers confidently aboard. Norma is sitting still, shivering. “Come on, Norma!” he shouts at her from
inside the tram.
People
at the bus stop shuffle.
People
inside the tram shuffle.
“I
can’t,” Norma says, “I don’t know how!”
“Yes
you can. Come on, Norma!” he yells.
People
scuff their boots in the snow. You can
see the thoughts form in little bubbles above their heads: “should we help? But
how? Can the tram driver see? I hope he doesn’t drive off...”
“Norma!”
“I
can’t...” the scooter finally stirs, for a second it starts reversing and once
again everybody freezes – fortunately Norma figures it out and manages to get
it moving forward.
“This
way, Norma!” the old man is gesturing stridently. Norma is first aiming for the other door
where it might have been easier to enter because there is more room but his
voice makes her turn. She finally,
slowly, rolls onto the tram.
The
doors close.
People
at the bus stop take a collective sigh of relief.
“He
was horrible to her, wasn’t he?” the young boy’s mother says and I nod in
assent, although I’m not sure if I agree he was the horrible one.
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