Coloring is Fun
Karachi Scribbles V
I love the
locations of our schools*.
We enter a
labyrinth of narrow, dirt roads, over open sewers and past little kids grinning
cheekily from street corners, poking at our dabba-van as it rattles within
inches of them. Houses and shops crowd close, built almost into each other,
side by side, sharing boundary walls and cups of tea over neighborhood gossip.
The shops are numerous and tiny, almost identical, and I see them at every
other turning, with their plastic jars of biscuits and candy and bored keepers,
their customers usually under the age of 10, making well-balanced, slow
decisions about spending a rupee or two.
Sleepy dogs
and small children looking after even smaller children scatter the unpaved
lanes, every now and then there is a long trail of garbage, plastic bags of
blue, black and pink, peels of potatoes and squashed tetra packs.
It’s in
these neighborhoods that I realize where the actual population of Karachi lies.
If you think “Aaj Zamzama per bohat rush hai” you need to come into one
of these areas at lunchtime and see where the 18 million + population actually
resides. A whole different world exists outside of our neat streets with
two-story houses in which six or seven members of a family live comfortably,
the wide spaces, the lawns, the terraces, the roads large enough for people to
park their extra cars on.
Imagine
living six or seven people to a room, with tattered blankets for doors, no
proper electricity, no sewage system, not even a water pipeline system that can
provide you free, clean water to wash your face with in the mornings.
Anyways, so
there we are, winding our way through the maze (how our drivers know the way
without any street signs or numbers is incredible), past the tightly-fitted
structures and burning trash, the barefoot toddlers and discarded vegetable
carts, and suddenly, without warning, there appears a bright blue door set
within a pale yellow boundary wall. The schools are always beautiful, off-white
yellow or burnt-red in Karachi, the beautiful bright bricks in Punjab with
brilliant green gardens bursting with kaleidoscopic flowers (as opposed to the
dusty grounds in Sindh) and a clean grey stone with blue trim in Azad Kashmir.
Clean
classrooms, colorful charts, neat paths and corridors – in the midst of all the
nots, there is suddenly a place where there is. It’s a place of
opportunity (not without its baggage and obstacles and restrained resources)
where the kids are so cute you want to pull their cheeks in the middle of a
lecture on nouns.
I love
observing classes. It takes me back to how school life was, a time when seating
arrangements mattered more than dying phone batteries, when there was always
that one kid who lost his pencils by the second period and would be harassing
you for yours, the smart girl who the teacher would always call on, the
whispering and passing notes, the giggles over someone’s unfortunate hairstyle.
Kids in
class I are tiny and their bags gigantic, covering 2/3rds of their small
plasticky chairs as they perch precariously on the edge. They swivel their
heads like owls and follow me as I make my way to the back of the class and sit
on the same tiny chair, all of them invariably assume I am a teacher. Some gaze
with wide-eyed bewilderment, others smile shyly, and one or two greet me.
The kids
today were learning how to make sentences. There were essentially only two
rules: start with a capital letter and put a full stop at the end. Pretty
simple right? But they kept fumbling, forgetting to capitalize the first
letter, or suddenly making the b in bat at the end of the sentence big,
skipping the full stop in half of the sentences. The teacher was very patient,
walking around, bending down to point out a mistake. Which reminds me, I also
love the way kids use erasers. They erase furiously, making such a mess of
their paper, sometimes ripping it and then looking up guiltily to see if anyone
noticed.
They also
steal each other’s stationery. “Miss, she’s not letting me use her pencil!” a
boy whined. “It’s mine!” the girl with the bright eyes and bright green ribbons
rightly responded. “But she has two!” the boy’s sense of justice needed a
little straightening up but the teacher sided with him. “Shehzadi, do you have
two pencils?”
“This one is
mine.”
“Do you have
another one?”
“It’s my
brother’s,” Shehzadi tried one more time but the teacher told her to take that
one out and use it.
The boy
didn’t look up but his smile widened considerably.
The battle
over lost pencils, erasers and shared rulers, the unquenchable desire to
sharpen pencils (just so there was a chance to get up from the chair and walk
across the class to the corner with the dust bin), and the kids with the
coolest pencil boxes in class – stationery was so important in those days.
One of the
boys sitting in front of me was an adorable perfectionist. He wrote really
slowly, erasing a letter if he thought it was even slightly imperfect and writing
it again. The writing was good enough to be framed or added into Microsoft Word
as the Perfect Kid font. He meticulously capitalized all his t’s,
regardless of their position in the sentence. I pointed out that he only had to
write the first letter in capital and he should look over his work and find the
ones that didn’t need to be big letters. That set off another round of rigorous
rubbing.
The student
workbooks mostly have line drawings, which just invite coloring. After every
ten minutes a kid would speak up hopefully, “Miss, can we color in?” and the
teacher would be dismissive, say ‘no’, no doubt thinking about the time left
and the irrelevance of color to full stops and simply not realizing how much
the children wanted it.
It made
think of the Indus Valley (Karachi’s best art school) exhibition I went to this
week and the mind-blowing talent that was set up symmetrically across the rooms.
That work was worthy of at least one full blog post, but I bring it up because
of how little we think of art in our schools, especially in the low-cost
private schools and public schools.
Yes, grammar
is important but sometimes we forget how little kids think differently from us.
Sometimes we say ‘no’ without thinking about it, forgetting how that one
syllable can bring down shutters and lock up a child’s imagination and
creativity. Sometimes we need to remember how annoying it is when we hear the
word ‘no’ in response to a request.
Think twice about whether it really would hurt to say ‘yes’, maybe the two minutes of happiness a ‘yes’
would bring, and letting a kid change a black-and-white drawing into a messy
colorful picture, is worth it.
*(I work for
TCF, an education nonprofit with over 1,000 school units across the country).
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